This is about the intersecting lives of the men and women who produce a newspaper—and one woman who reads it religiously, if belatedly. Although the chapters clearly intersect, it reads like a short story. In the opening chapter, aging, dissolute Paris correspondent Lloyd Burko pressures his estranged son to leak information from the French Foreign Ministry, and in the process unearths startling family fare that won't sell a single edition. Obit writer Arthur Gopal, whose overarching goal at the paper is indolence, encounters personal tragedy and, with it, unexpected career ambition. Late in the book, as the paper buckles, recently laid-off copyeditor Dave Belling seduces the CFO who fired him. Throughout, the founding publisher's progeny stagger under a heritage they don't understand. As the ragtag staff faces down the implications of the paper's tilt into oblivion, there are more than enough sublime moments, unexpected turns and sheer inky wretchedness to warrant putting this on the shelf next to other great newspaper novels. Despite my not enjoying short stories, I did find this book very engagine. If you enjoy short stories, you will love this book.Rating: 4.3 Recommend
The story begins pre-WWII and follows the life of 9 year old Isamu (Sam). Sam leaves his mother and siblings in Japan to join his father in Hawaii. From a proud Samurai family, Sam's father has become an alcoholic, blue collar laborer working in the cane fields of Hawaii. His dream for Isamu (like all parents) is that the boy transcend the his fathers station by being educated in English and ultimately to study at an American College. This story is deeply spiritual and the writing is superb. Hamamura understands the concept of "less is more" when it comes to writing. He writes with creatively colorful descriptions, with an eloquent style, and weaves a beautiful message within the rich story set in an historically challenging time for Japanese Americans. His descriptions of the personal and spiritual development of Isamu ("Sam"), the main character struck a deep chord and resonated with me The explanations of "mu" and "ki" in Japanese cultural and spiritual experience were especially beautiful. At times, the writing seems "cutesy" but, overall, this book was beautiful and stirring. I especially loved how the Sensei got Sam to see colors everywhere he looked.
Claire Pendleton, newly married and arrived in Hong Kong in 1952, finds work giving piano lessons to the daughter of Melody and Victor Chen, a wealthy Chinese couple. While the girl is less than interested in music, the Chens' flinty British expat driver, Will Truesdale, is certainly interested in Claire, and vice versa. Their fast-blossoming affair is juxtaposed against a plot line beginning in 1941 when Will gets swept up by the beautiful and tempestuous Trudy Liang, and then follows through his life during the Japanese occupation. As Claire and Will's affair becomes common knowledge, so do the specifics of Will's murky past, Trudy's motivations and Victor's role in past events. The rippling of past actions through to the present lends the narrative layers of intrigue and more than a few unexpected twists. Lee covers a little-known time in Chinese history without melodrama, and deconstructs without judgment the choices people make in order to live one more day under torturous circumstances.
When Catherine Land, who's survived a traumatic early life by using her wits and sexuality as weapons, happens on a newspaper ad from a well-to-do businessman in need of a "reliable wife," she invents a plan to benefit from his riches and his need. Her new husband, Ralph Truitt, discovers she's deceived him the moment she arrives in his remote hometown. Driven by a complex mix of emotions and simple animal attraction, he marries her anyway.
is a book club selection that I probably wouldn't have read. It has more twists and turns than a hairpin racetrack. There was a lot of suspense and foreshadowing. Everytime I thought I knew what was going to happen, something else unfolded and I had to adjust where I thought the book was going. Thanks Ann for picking this book. The writing is excellent and it captures the 1900's Wisconsin town and dynamics so well.
The brutal 1970s civil war in Ethiopia is the dramatic setting in this first novel, told from searing personal viewpoints that humanize the politics from many sides and without slick messages. The story is told in detail: between Emperor Haile Selassi in his lush palace set against the famine outside. The focus is on the family of physician Hailu, first before the revolution and then after the brutal regime takes over. His older son tries to lead a quiet life and look the other way, until Hailu is taken and tortured. The younger son joins the mass demonstrations, exhilarated that change has come, then deflated when he confronts the new tyranny. The clear narrative voices also include the women in the family and others on all sides, who experience the graphic violence, both in the old feudal system, where a rich kid regularly rapes a servant, and in the new dictatorship with torture in the name of freedom.
urtesy, love and the gospel. After a few years, an illegitimate son turns up at the Mason compound, Tucker's half-brother, Mutt. Then the book changes to when Tucker is an adult. I found characters, especially the evil characters, too caricaturish and one-dimensional to engage me.
Set in Louisiana in 1828, 
relays the life experiences of Manon, the white wife of a Louisiana plantation owner during the time of slavery. Manon is disgusted by her husband but is hardly more sympathetic herself. The book expresses the hypocrisy and evils of slave ownership through Manon's petty distinctions between her vulgar, brutal husband, and her idealized view of her father. Ultimately, there are no hero's of this tale. Each character is uniquely flawed and human, and the beauty of this book is its realistic recreation of the time period without appealing to sentimentality or melodrama. 
